Captin hooks lut9/13/2023 ![]() ![]() He was a carpenter and joiner in Sydney and served part-time as an officer in the local militia force. ![]() In 1905 he settled in Australia with his wife and daughter. During the Boer War, Shout served with the Border Horse and Cape Field Artillery. This is definitely a camera you're going to want to grab and go, so the native Micro 4/3 mount with Image Stabilization support will help with the fact that the sensor is on the smaller side and many people will probably be handholding this camera. Alfred Shout epitomised the legend of Anzac. 10-bit ProRes Log and 13 stops of dynamic range is unheard of anywhere near this price. Zuzu Lio Captain Hook (Real Skin Brown) Sorry for lack of pictures but my camera died mid way into opening everything and it took me awhile to find more. I'm most excited by this camera because there is nothing else in this class that has taken such an uncompromising approach to image quality. I was a little nervous by some strange motion artifacts I had noticed on the monitors at NAB, but this footage definitely alleviated those worries. I think this will cut nicely with the current Cinema Camera, and it should provide much of the same image quality - just in a smaller package. I've taken some screenshots as the video is not embeddable, but head on over to his blog to watch the video (click for larger versions):ĭynamic range looks stellar, and from my testing with the camera at the show, rolling shutter should actually be slightly better. There's some great before and after examples there as well. I encourage those of you who work with BMCC footage to check out these great LUT's. He's made some fantastic LUT's for Resolve as donation-ware to make grading BMCC footage even easier. I cut the footage using FCPx and used my colleague Captain Hook for the grade. I set the rear monitor to VIDEO and then used focus peaking all the time. I had a Hoya ND16 on as well to keep me at a slightly nicer stop. I set my exposure by ETTR and using the 100% zebra to indicate clipping. Here is a little bit about how he shot the footage using the Panasonic 12-35mm f/2.8 Micro 4/3 lens:Īll this footage was shot using the FILM look. BMPCC Test shoot /w/ Captain Hooks new beta LUT. : John has made the footage embeddable now, here it is: John Brawley, who has worked closely with Blackmagic to develop their cameras, has posted the first footage from the Pocket Cinema Camera. I got to play around with both cameras a bit, but it's always nicer to see a camera outside of the NAB show floor and really get a sense of what it's capable of. Truly a first of its kind, the Blackmagic Pocket Cinema Camera with its Super 16mm-sized sensor will be recording ProRes and RAW 1080p footage in a package about the size of most mirrorless cameras, all for $1,000. Blackmagic announced two cameras at NAB 2013, but on the floor at the show, much of the buzz was not about the 4K camera, but actually the smaller Pocket Camera. ![]()
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